Most Popular

National Features >

  • Broward-Palm Beach New Times

    The Agent from Iran

    How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.

    By Deirdra Funcheon

  • Westword

    Murder By Design

    In life and death, tattoo artist Kauri Tiyme made her mark.

    By Alan Prendergast

  • Village Voice

    My Brother the Slumlord

    Amy Neustein never could resist going public with her family dramas.

    By Elizabeth Dwoskin

  • Houston Press

    The Ghosts of Galveston

    A visit with the hurricane victims that a country forgot.

    By John Nova Lomax

Randy Weston

By Rick Mason

Published on February 14, 2008 at 3:20am

Long before there was a commercial concept of "world music," Randy Weston sallied forth from his Brooklyn origins and immersed himself in the vast panoply of African cultures, specifically seeking the links between traditional African music and American jazz. What he found resulted in a luminous body of work, both innovative and visionary, based on the spiritual heart they share. As a pianist he was influenced early on by Duke Ellington, Art Tatum, and especially Thelonious Monk, and they still resonate in his lush compositions. But Weston's genius lies in that reconciling of jazz with African elements, giving particular prominence to the rhythms, and creating rhapsodic music that's exotically alluring and entwined with the soulful essence of a continent and its tendril spirits. Over the years Weston has played in many different formats and collaborated with a vast array of musicians, from the Gnawas of Morocco (where he's been a longtime resident) to Chinese masters of the pipa. Now in his early 80s, he recently returned to a trio setup for the first time in 30 years. In this rare local appearance, Weston will lead his African Rhythms Trio, which includes bassist Alex Blake and Neil Clarke on percussion. $30 at 7 p.m.; $20 at 9:30 p.m.
Mondays, Sundays, 7 & 9:30 p.m. Starts: Feb. 17. Continues through Feb. 18, 2008