Most Popular

Recent Blog Posts

National Features >

  • Broward-Palm Beach New Times

    The Agent from Iran

    How a mother of two ended up in a plot to smuggle high-tech gear to the enemy.

    By Deirdra Funcheon

  • Westword

    Murder By Design

    In life and death, tattoo artist Kauri Tiyme made her mark.

    By Alan Prendergast

  • Village Voice

    My Brother the Slumlord

    Amy Neustein never could resist going public with her family dramas.

    By Elizabeth Dwoskin

  • Houston Press

    The Ghosts of Galveston

    A visit with the hurricane victims that a country forgot.

    By John Nova Lomax

Monty Alexander

By Rick Mason

Published on January 31, 2008 at 3:20am

Pianist Monty Alexander, whose fine mix of lyricism and percussive technique has often earned him comparisons to Oscar Peterson, has played in numerous formats during his four-decade career, from solo to classic trio to symphony orchestra. And he's played with a wide range of artists, from Sinatra to Dizzy to Ray Brown and Quincy Jones. But what makes Alexander unique has been his striking blending of jazz and the sounds of the Caribbean, specifically from his native Jamaica. He got his pro start in Kingston studios, and subsequently has revisited Jamaican mento, ska, and reggae. His second volume of Bob Marley's music, 2006's Concrete Jungle (Telarc), features marvelous arrangements of Wailers classics, mingling Alexander's elegant keyboards, scuttling reggae riddims, and adept work from an international band including Jamaican vocalist Luciano and New Orleans trombonist Delfeayo Marsalis. The Marley stuff should be prominent during these trio gigs, but the trade winds could easily blow the way of Ellington, Gershwin, or Nat King Cole. $25 at 7:00 p.m.; $15 at 9:30 p.m.
Mondays, Tuesdays, 7 & 9:30 p.m. Starts: Feb. 4. Continues through Feb. 5, 2008