Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of Minneapolis's most popular hot spots.
user content provided by: LikeMe.net & City Pages

National Features >

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Porcupine Tree: Fear of a Blank Planet

Share

  • rss

Cecile Cloutier

Published on June 06, 2007

Porcupine Tree
Fear of a Blank Planet
Atlantic/60

No one can accuse Porcupine Tree of thinking small. The British prog band's latest, Fear of a Blank Planet (Atlantic/60), is frontman Steven Wilson's vision of future teenagers growing up in a society devoid of art and love, but full of easy sensual enticements.

As heavy-handed as the lyrics can feel—a cross between juvenile-novelist Robert Cormier (author of I Am the Cheese) and Method acting—Wilson gets credit for trying a different tack in portraying teenage turmoil. Avoiding emo's operatic tragedy, teen pop's sentimentality, and metal and punk's spazzy fury, Wilson opts for something more uncomfortable. Tales of drug overload and sexual ennui are relayed through a quiet fog of near-paralyzing numbness, with the occasional bitterly funny quip cutting through: "My friend says he wants to die/He's in a band/They sound like Pearl Jam/The clothes are all black/The music is crap".

Musically, the arrangements are textured and complex, but they still retain a rhythmic lightness. The band leavens "Anesthetize"'s somberness with guitar atmospherics from Wilson and Rush's Alex Lifeson, and drops in a coda with gorgeous, staggered harmonies. "Sentimental" has a lovely, lilting melody set to an austere arrangement where Gavin Harrison's drumming flows around echoed piano chords like water around a rock in a stream. The words in "Sleep Together" promise a sliver of opportunity, with Wilson singing in his sweet, reedy voice, "This is your escape/This is your way out." But the jittery strings and darkly burbling keyboards don't hold out much hope. No one would ever call them cockeyed optimists, either.