Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Minneapolis's most popular hot spots.
user content provided by: LikeMe.net & City Pages

Recent Blog Posts

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

The Apples in Stereo: New Magnetic Wonder

Share

  • rss

Lindsey Thomas

Published on February 28, 2007

The Apples in Stereo
New Magnetic Wonder
Simian/Yep Rock/Elephant 6

Most record labels initially justify their existence by exposing the world to music that wouldn't find distribution without them. With his newborn Simian imprint, actor Elijah Wood instead chooses to release the new album by Apples in Stereo, an already-beloved psych-pop entity made semi-famous by its Elephant 6 affiliations. It's cool: The band needed a label and Wood needed a band. And what better way to kick off a new business venture than with head Apple Robert Schneider, who seems unable to write a song that doesn't cling to the brain? New Magnetic Wonder opener "Can You Feel It?" is the best sonic interpretation of summer vacation since the band rushed through "Tidal Wave" in '95. But since then, the Apples have branched out from their '60s fixation: Here, the piano- and organ-driven "Same Old Drag" glitters like '70s AM gold, while abundant vocoder use throughout signals some serious E.L.O. adoration. Ultimately, though, nothing can be totally boiled down to a single time-stamped influence—the Apples layer Mellotron on top of handclaps on top of orchestras. And as if recording a solid, complicatedly simple album weren't enough, Schneider uses its release to introduce his "Non-Pythagorean Music Scale," whose strange tonal clusters provide the perfect cohesion for an album that's both familiar and surprising.