2. Madmen and Specialists (Nimbus) Wole Soyinka's story of repression, control, and messianic madness was a typically bold effort by this risk-huffing company. Effective execution of the plot, in this case, was not in evidence.
3. Sex Diary of an Infidel (Penumbra Theatre) Great title. That's about it, though. This aimless story about a sham, careerist journalist and the Southeast Asian sex trade was a rare swing and miss for Penumbra.
4. Ten Percent of Marta Solano (Mixed Blood) Almost good, this story of surreal bureaucratic torment seemed several times to be on the verge of meaning something. I'm still not sure what that is.
5. Hamlet (Guthrie Theater) Or not to be.