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Our Cameras, Ourselves

Seeing is still believing in 'Women With Vision'

More valuable is Half-Price (Saturday, March 4 at 9:00 p.m.). Known to Francophile cinemagoers from Cedric Kahn's Roberto Succo and Benoit Jacquot's A Tout de Suite, Le Besco trains a handheld video camera on three tear-away kids--aged seven, eight, and nine--who've been left to their own devices by their absent mother. With conceptual shades of Hirokazu Kore-eda's Nobody Knows and whispery narration by the filmmaker herself, Le Besco's hour-long fly-on-the-wall debut moved one Chris Marker to announce the "emergence of a new New Wave for which Demi-tarif is the A bout de souffle." Hyperbolic? You bet. But Le Besco was all of 22 when she shot the movie on the cheap; with a few more years and euros on her side, perhaps Marker's endorsement hype could become a feasible challenge to meet.

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Box Office

  1. Man of Steel, 113.1 mil, 125.1 mil
  2. This Is The End, 20.5 mil, 32.8 mil
  3. Now You See Me, 10.3 mil, 80.0 mil
  4. Fast & Furious 6, 9.4 mil, 219.6 mil
  5. The Purge, 8.2 mil, 51.8 mil
  6. The Internship, 7.0 mil, 31.0 mil
  7. Epic, 6.0 mil, 95.4 mil
  8. Star Trek Into Darkness, 5.7 mil, 210.5 mil
  9. After Earth, 3.8 mil, 54.2 mil
  10. Iron Man 3, 2.9 mil, 399.6 mil
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