Les Misérables

Lee Blessing embraces the wounded; Martin McDonagh parades the wretched

Eye of the Storm winds through these, well, ugsome plot twists on a tilted, ramshackle set with a skewed gusto, and they make it an infectious (or is that infected?) pleasure. We may despise ourselves later for the joy we take in such cruelty, but while it's on the stage, we thrill in it.

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