By Chris Parker
By Jesse Marx
By John Baichtal
By Olivia LaVecchia
By Jesse Marx
By Olivia LaVecchia
By Tatiana Craine
By Judy Keen
My dictionary defines "throb" as "to pulsate or pound, esp. with abnormal force or rapidity." Exactly what my heart was doing.
I was in Vegas, on the 19th floor of the Rio... A room in which the entire wall is your window... Lighting a cigarette, taking a puff, putting it out (my heart throbbed harder with even one drag)... Not knowing yet that it was "electrolyte imbalance" caused by extreme heat (104 F at midnight) that had jolted my heart... Wondering at its rhythms: a pounding that would shake my whole frame, then no beat for moments, then a fluttering of beats hardly felt, then more pounding, while I tried to breathe evenly and sit quite still... Then wanting another cigarette, and laughing at God: "You gonna kill me for a lousy puff? Seems hardly fair, but have it Your way--You always do..." Taking the puff, as a kind of game, a dare (electrolyte imbalance impairs the judgment, they say--but what's my excuse most days?)... And Las Vegas spread before me, the pastel patterns of the Stardust's neon, the bright cacophony of the Riviera's, the huge white skull of Treasure Island, "Alas, poor Michael, I knew that fool well--or thought I did..." The lavender of Circus Circus, the gold of the Mirage... And millions of small glittery lights, as though this weren't the harshest of lands and the most brutal of cities, but a lake reflecting the desert sky...
Couldn't sleep. My heart shook my body so hard it jolted me awake. It would be days before my friend Elliot (a doctor) would explain about electrolytes and tell me to guzzle Gatorade to steady my heart. Sickly sweet Gatorade, of all things. (He said that once you get to this point, just drinking quarts of water, as I was doing, wasn't enough.) He told me this is one way heat kills: congestive heart failure due to lack of electrolytes caused by dehydration. But such knowledge was for later; in that room, I was after another kind of knowledge.
There is fear and there is terror. They are not at all the same. I see now that I was sitting there (when I might have been calling 911 or somebody) out of some imperative to break through the terror. The fear seemed inevitable, the terror insupportable. It had always been insupportable, so why had I supported it? Long ago I'd learned the arts of hiding it; still, it had been with me all my life. More than a terror of death, it was a terror of everything, a terror that merely showed its face most starkly in the presence of a death. Had I been born with it? Had my childhood instilled it? Those questions didn't matter anymore. Thinking about it had been useless. What mattered was that I'd had enough. Had there ever been a morning I'd wakened with no terror? I wanted, for once, to stare the terror down and make it leave my body. Perhaps it wouldn't leave that room, or any room I would ever enter, but I wanted it finally to leave my body.
To do this I had no tricks and no words. My heart had begun a terrible irregular pounding, and my instinct was to sit and feel it and face it. I don't present this as, for want of a better word, a lesson. (Never take such a lesson from someone whose eyes you haven't looked into.) I present it only as an experience which began spontaneously in one moment; that moment led to the next and the next; till gradually, as the sun rose over Vegas, I understood what I was up to. I was betting my life against my terror. I was sick of my terror of death (which had meant a terror of life, don't you think?) and I was sitting with it. If I sat with it long enough, with death near, maybe the terror would somehow leave. I didn't know what else to do.
Oddly, not-knowing was my only refuge. My heart would beat, then stop, then start, in rhythms impossible to chart. The terror would rise and fall. I would wait, and try not to fill the waiting with attempting to know what I didn't know.
After a long while, into that space of not-knowing something entered: I had the sensation that I was sitting beside myself, holding my own hand. A verse of Ikkyu, a 15th-century monk who called himself "Crazy Cloud," rose in me: you can't be anyone but you/therefore you are that Other one you love. I knew what was holding my hand.
My life was holding my hand. My life was my friend, while I was... me. We were not quite the same. We held hands. I know it doesn't sound rational, but the feeling was strong: There was my life, who was my friend, and there was me. If my life let go my hand, I would be what people call "dead"--but even then my life would be watching, and it would be all right. Because one day your life must let go your hand. Nothing can stop or change that. So I waited to see if it would let go now, and somehow this act of waiting let me feel and know this stranger and friend, my life.