By Ed Huyck
By Melissa Wray
By Patrick Strait
By Jonathan McJunkin
By B Fresh Photography
By Ryan Siverson
By Kendra Sundvall
By Ed Huyck
We wanted The Birds for Christmas. We had seen the commercials for it on the television donated thirdhand by the Merchant Seamen's and Sailors' Rest Home, a big black-and-white Zenith of cracked plastic and no knobs, a dime stuck in the channel selector. You could adjust the picture and have no sound, or hi-fi sound and no picture. We just wanted the picture. We wanted to see The Birds.
The Old Head Nurse said not to get our hopes up. It was a "Late Show" after Lights Out the night before Christmas Eve. She said it would wake the babies and scare the Little Boys down on the far end of the ward. Besides, she said, she didn't think it was the type of movie we should be seeing Christmas week. She said she was certain there would be Rudolph and Frosty on. That would be more appropriate for us to watch on the night before Christmas Eve.
"Fuck Frosty," Michael Christian said to me. "I seen that a hunrett times. I want to see The Birds, man. I want to see those birds get all up in them people's hair. That's some real Christmas TV to me."
Michael Christian and I were some of the last Big Boys to be claimed for Christmas. We were certain someone would eventually come for us. We were not frightened yet. There were still some other Big Boys around--the Big Boy who ran away to a gas station every other night, the Human Skeleton who would bite you, and the guy locked away on the sun porch who the Young Doctors were taking apart an arm and a leg at a time.
The Young Doctors told Michael Christian that their Christmas gift to him would be that one day he would be able to do a split onstage like his idol, James Brown. There never seemed to be any doubt in Michael Christian's mind about that. For now, he just wanted to see The Birds while he pretended to be James Brown in the Hospital.
Pretending to be James Brown in the Hospital was not without its hazards for Michael Christian; he had to remember to keep his head lifted from his pillow so as not to bedhead his budding Afro. Once, when he was practicing his singing, the nurses rushed to his bed asking him where it hurt.
"I'm warming up 'I Feel Good,' stupid bitches," said Michael Christian. Then his bed was jerked from the wall and wheeled with great speed, pushed and pulled along by hissing nurses, jarring other bedsteads, Michael Christian's wrists hanging over the safety bed rails like jailhouse-window hands; he was on his way to spend a couple of solitary hours out in the long, dark, and empty hall, him rolling his eyes at me as he sped past, saying, "Aw, man, now I feel BAD!"
Bed wheeling into the hall was one of the few alternatives to corporal punishment the nurses had, most of them being reluctant to spank a child in traction for spitting an orange pip at his neighbor, or to beat a completely burned child for cursing. Bed wheeling into the hall was especially effective at Christmastime, when it carried the possibility of missing Christmas programs. A veteran of several Christmases in the hospital and well acquainted with the grim Christmas programs, Michael Christian scoffed at the treasures handed out by the church and state charities--the aging fruit, the surplus ballpoint pens, the occasional batches of recycled toys that didn't work, the games and puzzles with missing pieces. Michael Christian's Christmas Wish was as specific as mine. I wanted a miniature train set with batteries so I could lay out the track to run around on my bed over the covers. Not the big Lionel size or the HO size. I wanted the set you could see in magazines, where they show you the actual size of the railroad engine as being no larger than a walnut.
"You never get that, man," Michael Christian said, and he was right.
James Brown in the Hospital's Christmas Wish was for The Birds for Christmas. And, as Michael Christian's friend, I became an accomplice in his desire. In that way, "birds" became a code, the way words can among boys.
"Gimme some BIRDS!" Michael Christian would squawk when the society ladies on their annual Christmas visit asked us what we wanted.
"How about a nice hairbrush?" a society lady said, laying one for white people at the foot of Michael Christian's bed.
"I want a pick," Michael Christian told her.
"A pick? A shovel and a pick? To dig with?" asked the society lady.
"I think he wants a comb for his hair,"
I said. "For his Afro."
"That's right: a pick," said Michael Christian. "Tell this stupid white bitch something. Squawk, squawk," he said, flapping his elbows like wings, as the nurses wheeled him out into the hall. "Gimme some BIRDS!" he shouted, and when they asked me, I said to give me some birds, too.
Michael Christian's boldness over the Christmas programs increased when Ben, the night porter, broke the television. Looking back, it may not be fair to say that Ben, the night porter, actually broke the television, but one evening it was soundlessly playing some kiddie Christmas show and Ben was standing near it mopping up a spilled urinal can when the screen and the hope of Michael Christian's getting his Christmas Wish blackened simultaneously. Apologetic at first, knowing what even a soundless television meant to children who had rarely seen any television at all, Ben then offered to "burn up your butt, Michael Christian, legs braces and all" when Michael Christian hissed "stupid nigger" at Ben, beneath the night nurse's hearing. It was a somber Lights Out.
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